TOWNSHEND — I need to make a correction, but not to in any way, criticize the reporter. We had a nice chat, and it is not easy to talk on a phone and take notes at the same time.
No, I have to make a correction in order to prevent being labeled as “clueless” here in Townshend, though many will have a good time at my expense anyway.
The gazebo, as most of the world now knows, was taken down by an out-of-stater and his poor cat. It has been repaired, by the way.
Dan DeWalt, a frequent contributor to these pages and one of the founders of this...
Steev Lynn works internationally, currently reporting on the civil war in Myanmar after a military...
CAVENDISH-It's crucial to address the underlying motivations behind this opposition about HCRS's use of AI...
The writer is a member of the Putney Housing Solutions Task Force, a community group...
Josh Davis answered questions as he prepared for a 9 a.m. meeting - a meeting that was many years, and multiple site visits, in the making. There, on Jan. 28, Groundworks Collaborative closed on 54 South Main St. as the site for its new facility, which will be capable of housing client programs, a food shelf, a day shelter, and the Seasonal Overflow Shelter (SOS), said Davis, the organization's executive director. “We're excited,” Davis said about the $3.2 million project,
Throughout history, including, at times, in our own country many years ago, the forcible separation of families has been used as an instrument of terror. I struggle to imagine a more damaging and inhumane governmental policy than to forcibly and needlessly tear children away from their parents. For decades, the United States has rightly led the world in condemning such practices as flagrant abuses of government power and human rights. Yet today, in an extraordinary breach of our most basic...
“Nuclear Family,” an exhibit of new work by Amy Bennett on view at the Brattleboro Museum & Art Center through June 16, features small paintings that tackle large topics, including marriage, child rearing, and female identity. The smallest painting in the exhibit, “Problem Child,” is less than 3 inches high and 4 1/2 inches wide. In it, a girl stands near the center of a messy room, her back to the viewer, as a small fire burns in the corner.
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