Who has been disrespectful in the nuclear debate? Is it the people who shout out at public meetings and use up the time for those of differing opinions to speak? Is it the ones who teach their children to tell other children that their parents are baby killers because of where they work?
Who would want to come to a county and start a business with people like that not being corralled by their neighbors and the law?
Hannah Sorila is a writer and community organizer who aims to align intention and impact...
GUILFORD-So Trump has been elected - again. If last time was bad, this time will...
The writers note that they originally sent this letter to their congregation. "We offer it...
WESTMINSTER WEST-Thank you to David Brooks for clearly saying in his Nov. 8 New York...
Beginning this week, Selectboard meetings will take place on Zoom. The decision to change the platform came after the board's discussion about the advantages of using Zoom for Representative Town Meeting, Selectboard Chair Tim Wessel said in a news release. According to Wessel, Zoom is more user-friendly and “more well-known to regular users than GoToMeeting,” the service that the town has been using for remote public meetings during the pandemic. Another plus for using Zoom for Selectboard meetings: The town...
It's 12:15. All the classes get out, and the lunch room slowly starts to fill. The sound of laughter rises through the room like a wave in the ocean, tumbling down and taking everyone with it. I wait in line, anxious to move forward. The smell of ravioli and freshly baked bread drifts down the line, taunting us, and we get a sneak peek of what we are about to indulge in. The line moves forward, and I get my...
After an absence of 1{1/2} years, The Met: Live in HD makes its return to the Latchis Theatre on Saturday, Oct. 9, at 1 p.m., launching its 2021–22 season with Mussorgsky's Boris Godunov. Bass René Pape, described in a news release as “the world's reigning Boris,” reprises his portrayal of the tortured tsar caught between grasping ambition and crippling paranoia. Conductor Sebastian Weigle leads Mussorgsky's masterwork, a pillar of the Russian repertoire, in its original 1869 version. Stephen Wadsworth's production,
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